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  • Book Review Sunday:'A Golden Age',Tahmima Anam

    Staying with the theme of International PEN,an organisation I grow even more fond of each time I visit their web-site,I have decided to post a book review or description which was part of FREE THE WORD!I also liked this because the novel takes place in a country that we don't usually hear about,Bangladesh. It striked me as a close novel because I know someone who is from Bangladesh and the troubles she explans about in her country so therfore,I have an interest. Besides this I found that the book touches upon a very personal story but is also political and therfore it has all the elements of an enjoyable book and would be good to read and analyse.

    TO BE CONTINUED NEXT WEEK WITH INFO ON AUTHORS,BOOK REVIEWS AND MORE INFO ON HOW TO WRITE A PROFESSIONAL BOOK REVIEW...COMING SOON!

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    A GOLDEN AGE

    TAHMIMA ANAM

    (International PEN)

    The steadfast love of a mother for her children powers Tahmima Anam's novel, A Golden Age, which chronicles the Haque family during the struggle for Bangladesh independence in 1971.

    Chosen to launch International PEN's Free the Word! World Book Club, this first novel narrates a complex historical period through the story and struggle of the widow Rehana and her son Sohail, who joins the resistance, and her daughter Maya, who fights with words as a young writer.

    Anam's tale begins hauntingly: Dear Husband, I lost our children today. Taken from her in East Pakistan (today's Bangladesh) by her brother-in-law, Rehana's children are transported across the expanse of India to West Pakistan (today's Pakistan) after Rehana's husband dies suddenly, and Rehana is unable to prove her capacity to raise them.

    This early trauma marks the family and sets the paradigm for the personal and political struggle in the book. Once Rehana wins her children back, she is fierce in protecting them and serving them as the politics of her land sweep her family and friends into the battle with Pakistan.

    As her son goes off to fight in the resistance, Rehana is torn between her love for her son, her respect for his courage and ideals and her fear for his life. Her relation with her daughter is more complex but no less intense. This mother love does not come without a price, however, in the moral choices she must make.

    Rehana is a reluctant, but ultimately courageous, heroine in the birth of a nation.

    You are a mother. How many times had she repeated this very phrase to herself? I am a mother. Above all things, a mother. Not a widow, certainly not a wife. Not a thief. A mother. But now she was something else--a mother, yes, but not just of children. Mother of a different sort. This mother knew what it was to long for her children. But she also understood the dangers of such longing.

    Tahmima Anam, who has PhD in social anthropology, explores the themes of love-love for one's children, love and loyalty between a man and a woman, between siblings, between friends and finally love for one's country. This prism-- this jewel of high price-- is held up to the light and turned so that each plane reflects and refracts the light of the other and tests it. Does the love of children trump the love of a man and a woman, expand to the love of friends and country, inspire or distract from moral action?

  • International PEN News Update

    THIS BLOG SUPPORTS INTERNATIONAL PEN....FOR FURTHER INFORMATION ON INTERANTIONAL PEN PLEASE VISIT

    http://www.internationalpen.org.uk

    intpen

    International PEN is outraged by the charges brought against Liu Xiaobo

    World Writers‘ Association outraged by the charges brought against Liu Xiaobo, dissident writer and former President of the Independent Chinese PEN Centre.
    China%20-%20Liu%20Xiaobo

    Before you enter the grave
    Don't forget to write me with your ashes
    Do not forget to leave your address in the nether world

    From a poem by Liu Xiaobo.

    International PEN, the world association of writers, is outraged by the charges of ‘incitement to subversion of state power' brought against prominent dissident writer Liu Xiaobo, former President and Board member of Independent Chinese PEN Centre, on 23 June 2009. Liu Xiaobo was arrested on 8 December 2008 for his role in publishing Charter 08, a document calling for political reform and human rights. Many other signatories of the Charter have been harassed or briefly detained, and there are growing concerns about reports that other members of Independent Chinese PEN Centre based in the P.R.China have been under increased pressure in recent days.

    According to PEN’s information, police from the Beijing Public Security Bureau (PSB) National Security Unit delivered Liu Xiaobo's formal arrest notice dated June 23 to his wife, Liu Xia, on 24 June 2009. According to the official Xinhua news agency, he is accused of ‘spreading rumours and defaming the government, aimed at subversion of the state and overthrowing the socialism system in recent years'. The charge carries a maximum five-year prison sentence, and is believed to be based on his endorsement of Charter 08 and over twenty articles published between 2001-2008. He is said to have confessed to the charges against him.

    After his arrest on 8 December 2008, Liu Xiaobo was held under ‘residential surveillance', a form of pre-trial detention, at an undisclosed location in Beijing, without access to his lawyer. He was allowed only two family visits throughout his six-month detention, in January and in March, and was held in a windowless room without any outdoor time. His lawyer Mo Shaoping has been barred from representing Liu due to his endorsement of Charter 08, therefore two other members of Mo’s law firm have been nominated to represent him. Liu Xiaobo was reportedly transferred to the Public Security Bureau (PSB) Detention Centre in Douge Zhuang, Beijing, on 23 June 2009, where he reports “an improvement” in his conditions since he now has regular outdoor time and five detainees in his cell with whom he can talk. He was allowed to meet with his lawyers on 26 June 2009.

    Liu Xiaobo is among a large number of dissidents to have been detained or harassed since December 2008 after issuing an open letter calling on the National People's Congress Standing Committee to ratify the International Covenant of Civil and Political Rights (ICCPR), and launching Charter 08, a declaration calling for political reforms and human rights published on 9 December 2008. These activities were part of campaigns to commemorate the 60th Anniversary of the Universal Declaration of Human Rights (10 December), and were initially signed by over 300 scholars, journalists, freelance writers and activists and now have over 8000 signatories from throughout China.

    Liu Xiaobo first received support from PEN 20 years ago, when, in 1989, he was one of a group of writers and intellectuals given the label the “Black Hands of Beijing” by the government, and arrested for their part in the Tiananmen Square protests. Liu has since spent a total of five years in prison, including a three year sentence passed in 1996, and he has suffered frequent short arrests, harassment and censorship. He is among over forty writers detained today in the People's Republic of China for the peaceful expression of their opinions. International PEN demands the immediate and unconditional release of dissident writer Liu Xiaobo and all those detained in China for the peaceful exercise of their opinions, in accordance with Article 19 of the International Covenant on Civil and Political Rights, to which China is a signatory.

    On behalf of the Board of International PEN

    Jirí Gruša - International President

    Eugene Schoulgin - International Secretary

    Karin Clark – Writers in Prison Committee Chair

    Vice-Presidents of International PEN

    Margaret Atwood

    J. M. Coetzee

    Moris Farhi

    Nadine Gordimer

    Gloria Guardia

    Lucina Kathman

    Kata Kulavkova

    Joanne Leedom-Ackerman

    Mario Vargas Llosa

    Per Wästberg

    For further information please contact Cathy McCann at International PEN Writers in Prison Committee, Brownlow House, 50/51 High Holborn, London WC1V 6ER, Tel.+ 44 (0) 20 7405 0338, Fax: +44 (0) 20 7405 0339, email: cathy.mccann@internationalpen.org.uk
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    Free_The_word_200x200

    Welcome to the Free the Word! Book Club
    Have you ever wandered into a book shop and wondered where to begin?
    Has a friend ever recommended you a book you've enjoyed so much you've wondered what else you are missing out on?
    Then the Free the Word! World Book Club is for you!
    The Free the Word! Book Club is for anyone who wants to read the very best in contemporary world literature. Free the Word! celebrates 'the great writers you know and the great writers you don't' and gives you unique insights into some of the most eminent voices from around the world whom you might not otherwise read, or hear.

    On the first Monday of every month, a new book featured in Free the Word! festival events around the world is launched online with insights from the author, translator, or another eminent figure from the field of international literature in English, French and Spanish.

    There are links to recordings of Free the Word! events which featured the text and the opportunity to join a global community of Free the Word! World Book Club members discussing the books online.

    If a book catches your interest you can purchase it through the link to our book shop partner, Foyles. There is no membership fee and no obligation, simply join the World Book Club members as and when you want to. All past featured text materials will remain accessible on the site so you will continue to be able to access them even once a new book of the month has been launched.

    With 144 Centres in 102 countries worldwide, International PEN has a unique grass roots knowledge of world literature and is the ideal guide to the best in contemporary writing.
    ----------------------------------
    PEN International Magazine
    heavenandearthcover
    'For anyone who believes that words can help us chart a path, PEN International is essential reading' Alberto Manguel
    'Reading in the pages of PEN International we celebrate not just our differences but also our common humanity and universal values' Azar Nafisi
    PEN International addresses a global audience and features original work by contemporary writers from around the world.

    Founded in 1950, the magazine was originally a compendium of reviews of world literature entitled ‘Bulletin of Selected Books'. Over the years, it was expanded to include articles, stories and poems either contributed directly or reprinted from other publications.

    The magazine is read by the 144 PEN Centres in 102 countries, as well as readers all over the world.

    In 2007, PEN International was relaunched with the ‘Context:' series, featuring a new design, a dedicated editor and special guest writers. ‘Context:' showcases writing from different regions of the world with the express goal of introducing the work of new and established writers to each other and to readers everywhere. It has so far covered Africa and the Middle East. ‘Context: Latin America' will appear in autumn 2008 and ‘Context: Asia/Pacific' in 2009. A special issue will be published in spring 2008 called ‘The Writer Next Door', and will be dedicated to International PEN's annual literary theme of the same name.

    Contributors to PEN International have included Adonis, Margaret Atwood, Karel Capek, Siobhan Dowd, Nawal El-Saadawi, Moris Farhi, Antonia Fraser, Nadine Gordimer, Günter Grass, Han Suyin, Liu Hongbin, Chenjerai Hove, Alberto Manguel, Salim Matar, Ngugi wa Thiong'o, Ben Okri, Moniro Ravanipour, Salman Rushdie, Wole Soyinka, Hilary Spurling and many others. Previous editors have included Alexandre Blokh and Per Wästberg.

    PEN International is supported by UNESCO, the Sigrid Rausing Trust, Bloomberg and an anonymous donor.

  • MUSIC BREAK:MICHAEL JACKSON

    It was not Rock n Roll,it was as crude in it's message but it gave hope and meaning in the songs. If you listen to Michael Jackson,you can find more talk of society,world and political affairs,enviroment,injustice,gender issues,racial issues and other important issues to human kind more than any other Pop music maker ever! It was not as direct as some others but his music mixed with Rock and Hip-Hop elements,along with his strong and firm voice of resistence made for good Pop music! I go as far as to say all pop and hip-hop music these days are the product and re-make of Michael Jackson or some way influenced by it. Find one pop hip hop music video director that says they were not influenced by it!

    THRILLER

    http://www.youtube.com/watch?v=hOj5H5W9zYo

    DANGEROUS

    http://www.youtube.com/watch?v=yjvoVpOrlbM

    BLACK OR WHITE

    http://www.youtube.com/watch?v=tyBs6-cmFvQ

    EARTH SONG

    http://www.youtube.com/watch?v=f8muMo0fw_M&feature=related

    MAN IN THE MIRROR

    http://www.youtube.com/watch?v=1zpTQCQEFhg

    THEY DON'T CARE ABOUT US

    http://www.youtube.com/watch?v=nvWMLAWrEjU

    To be continued...

  • Michael Jackson Passed Away :(

    As I am currently taking a break from my blog,I would like to post a news story of sadness to me. The hailed king of pop,Michael Jackson has passed away. As someone who listens to all kinds of music Michael Jackson is a musician who you just keep turning to no matter what you listen to. His influence on the music world,popular culture,on everything from fashion and culture,dance,video,the worldwide effect he had in the period that he was popular was undoubtedly more great than any other muscian ever. I was lucky enough to grow up in the early 90's when his music was all over. I followed the developments from that time on shining fame right until the unfortuante events of that chilling documentary and molestation charges. Yes,the controversy surrounding him in the last years,picked on by the media(CNN'S newsstory even now calls him 'entertainer') and others for different behaviour,cast some shadow on his previous music but I could look beyond that and see that at the end of the day:His music made me feel good and the messages of his songs were not bad at all! and he was truely one of a kind.

    R.I.P Michael Jackson...
    Thriller

    -------------------------------------------------

    CNN:NOT ENTERTAINER,HE WAS A MAN OF MUSIC!!MUSCIAN! AND THE MENTIONING OF MOLESTATION IN YOUR NEWS ARTICLE FOR THE DEATH IS COMPLETELY UNNECESSARY!

    (CNN) -- Entertainer Michael Jackson died after being taken to a hospital on Thursday having suffered cardiac arrest, according to the Los Angeles County Coroner's office.

    A Los Angeles fire official told CNN that paramedics arrived at Michael Jackson's home after a 911 call.

    1 of 3 Paramedics took Jackson, 50, from his west Los Angeles home Thursday afternoon to UCLA Medical Center, where a team of physicians attempted to resuscitate him for more than an hour, said brother Jermaine Jackson. He said the famed singer was pronounced dead at 2:26 p.m. PT.

    An autopsy is scheduled Friday, he said. Results are expected Friday afternoon, according to Lt. Fred Corral of the Los Angeles coroner's office, who also said Jackson was unresponsive when he arrived at the hospital.

    Fire Capt. Steve Ruda told CNN paramedics were sent to a west Los Angeles, California, residence after a 911 call came in at 12:21 p.m.

    Law enforcement officials said the Los Angeles Police Department Robbery-Homicide Division opened an investigation into Jackson's death. They stressed there is no evidence of criminal wrongdoing but that they would conduct interviews with family members and friends.

    CNN Analyst Roland S. Martin spoke on Thursday with Marlon Jackson, brother of Michael Jackson.

    "I talked to Frank Dileo, Michael's manager. Frank told me that Michael last night was complaining about not feeling well. He called to tell him he wasn't feeling well.

    "Michael's doctor went over to see him, and Frank said, 'Marlon, from last night to this morning, I don't know what happened.' When they got to him this morning, he wasn't breathing. They rushed him to the hospital and couldn't bring him around."

    Don't Miss
    Michael Jackson, pop music legend, dead at 50
    In Depth: Michael Jackson
    Jackson remembered as 'consummate entertainer'
    Gallery: Jackson's life in pictures
    iReport.com: iReport.com: Remembering Michael Jackson
    A star the world could not ignore
    Videos: A look at his life
    Michael Jackson, the music icon from Gary, Indiana, was known as the "King of Pop." Jackson had many No. 1 hits, and his "Thriller" is the best-selling album of all time. Watch why Jackson is "as big as it gets" »

    Jackson was the seventh of nine children from a well-known musical family. He is survived by three children, Prince Michael I, Paris and Prince Michael II. Watch Jesse Jackson share memories »

    Jackson's former wife, Lisa Marie Presley, said she was "shocked and saddened" by Jackson's death. "My heart goes out to his children and his family," she said.

    At the medical center, every entrance to the emergency room was blocked by security guards. Even hospital staffers were not permitted to enter. A few people stood inside the waiting area, some of them crying. iReport.com: Your Michael Jackson tributes

    Video footage shows a large crowd gathering outside the hospital.

    Some of Jackson's music was being played outside. The sounds of "Thriller" and "Beat It" bounced off the walls. Kingston: Jackson "a legend" »

    Outside Jackson's Bel Air home, police arrived on motorcycles. The road in front of the home was closed in an attempt to hold traffic back, but several people were gathered outside the home. Sharpton: Jackson "was a trailblazer" »

    Along with his success Jackson had some legal troubles later in his career.

    He was acquitted of child molestation charges after a well-publicized trial in Santa Maria, California, in March 2006.

    Prosecutors charged the singer with four counts of lewd conduct with a child younger than 14; one count of attempted lewd conduct; four counts of administering alcohol to facilitate child molestation; and one count of conspiracy to commit child abduction, false imprisonment or extortion

  • Book Review Sunday:Author Biography (PHILIP K. DICK)

    I'm sorry,I cannot risk occupying my mind on anything else except for my essay. Suddenly I feel an academic inspiration period which come to think of it,I have not had since the time period of this particular course I took. A surge to read,think and write essays only consumed me for two years during my education. I'm glad I'm back! The thought of that time and the inspration from the e-mails from a far away Arab land all makes the difference. I feel peace.

    Here is the biography of the science fiction genius that was Philip K. Dick. The life of the author does not get discussed in academic essays becuase the essay is about the writer of the essay but it is still important tht we know a few things of the author.
    -------------------------------------------

    By Lawrence Sutin
    Copyright 2003

    Here is a subtle but startling irony: in several of his best novels, Philip K. Dick - world-famous as a science-fiction writer and hence, by definition, a creator of futuristic worlds - set his narratives in the late twentieth century, an epoch we left behind with great pomp in the celebration of the New Millennium. And yet the novels, and the stories, and the essays of Dick seem as futuristic as ever, which is to say - as vitally relevant to our own time as only great literature can be.

    Science Fiction Visionary
    Since his untimely death at age 53, there has been an extraordinary growth of interest in his writings, which during his lifetime were largely ignored by serious mainstream critics and readers. Such is no longer the case, and the novels of Philip K. Dick frequently appear on university curricula devoted to modern American literature. But that is only the beginning of the transformation. Since 1982, when Ridley Scott's Blade Runner (based on Dick's novel, Do Androids Dream of Electric Sheep?) made its debut, eight feature films based on Dick's fiction have appeared, the other seven being Total Recall, The Minority Report, Screamers, Impostor, the French film Confessions d'un Barjo (based on Dick's mainstream novel, Confessions of a Crap Artist), Paycheck, A Scanner Darkly and the upcoming Next (April 2007). That's an average of roughly one movie every three years since Dick's passing - a rate of cinematic adaptation exceeded only by Stephen King. And there are other big-money film options currently held by Hollywood studios.

    Philip K. Dick has done more than arrive. He has become a looming and illuminating presence not merely in American but in world culture, with his works translated into major European and Asian languages. There is even a bastard adjective - "phildickian "- that makes its way into print now and then to describe the baffling twists and turns of our times. An understanding of the basic facts of Dick's life not only casts light on the themes that predominate in his writings, but also brings to view a fascinating story in its own right.

    The Early Years
    He was born prematurely, along with his twin sister Jane, in Chicago on December 16, 1928. His father was Edgar Dick, his mother Dorothy Kindred - from her maiden name came Dick's middle initial. Jane died six weeks after her birth, a loss that Phil felt deeply throughout his life. As time went on, Phil came, with whatever justice, to blame his mother for Jane's death. His relationship with both of his parents was decidedly difficult, and made only more so when they divorced when he was five years old.

    Sister Jane, his mother, and his father served as models for many of the characters who would populate Dick's fictional universes in the decades to come. In particular, the death of Jane - and Phil's traumatic sense of separation from her, an experience common to many twins who have lost their sibling - contributed to the dualist (twin-poled) dilemmas that dominated his creative work - science fiction (SF)/mainstream, real/fake, human/android. It was out of these pressing dualities that the two vast questions emerged which Dick often cited as encompassing his writing: What is Real? and What is Human?

    Mother Dorothy retained custody over her son, and they eventually settled in Berkeley, where Dick grew up, graduated from high school, and briefly attended the University of California in 1949 before dropping out.

    Starting in seventh grade, however, Dick began suffering from bouts of extreme vertigo; the vertigo recurred with special intensity during his brief undergraduate stint. In his late teens, Dick later recalled, he was diagnosed as suffering from schizophrenia - a label that terrified him. Other psychotherapists and psychiatrists in later years would offer other diagnoses, including the one that Dick was quite sane.

    Leaving aside medical terminology, there is no question that Dick felt himself, throughout his life, to suffer from bouts of psychological anguish that he frequently referred to as "nervous breakdowns." His experience of these was transmuted into fictional portraits, most notably of "ex-schizophrenic" Jack Bohlen in Martian Time-Slip (1964).
    A Genre of Ideas
    In a 1968 "Self Portrait" he recalled the moment of discovery of the genre that would ultimately set him free to write of the complex realities of his own personal experience:
    "I was twelve [in 1940] when I read my first sf magazine…it was called Stirring Science Stories and ran, I think, four issues….I came across the magazine quite by accident; I was actually looking for Popular Science. I was most amazed. Stories about science? At once I recognized the magic which I had found, in earlier times, in the Oz books - this magic now coupled not with magic wands but with science…In any case my view became magic equals science…and science (of the future) equals magic."
    This is not to say that Dick read only SF during his coming of age years. On the contrary, he was an omnivorous and devouring reader, taking in Xenophon's Anabasis, Joyce's Finnegans Wake, the French realists such as Stendhal, Flaubert and Maupassant - all this and much more by his early twenties. Dick gave credit to the American Depression-era writer James T. Farrell, author of Studs Lonigan, for helping Dick see how to construct the SF stories that he sold in such numbers to the SF pulps in the early 1950s.

    And even though Dick never lost his yearning to be accepted by the literary mainstream, he always regarded it as a kind of treason to deprecate the SF genre he grew up on and flourished in. As he wrote in 1980, two years before his death:
    "I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers….This is why I love SF. I love to read it; I love to write it. The SF writer sees not just possibilities but wild possibilities. It's not just 'What if' - it's 'My God; what if' - in frenzy and hysteria. The Martians are always coming."
    An Author Finds His Voice
    From age fifteen to his early twenties, Dick was employed in two Berkeley shops, University Radio and Art Music, owned by Herb Hollis, a salt-of-the-earth American small businessman who became a kind of father-figure for Dick and served as an inspiration for a number of his later fictional characters, most notably Leo Bulero in The Three Stigmata of Palmer Eldritch (1965), who, in the memo to his employees that serves as the frontispiece to that novel, gruffly affirms the human spirit:
    "I mean, after all; you have to consider we're only made out of dust. That's admittedly not much to go on and we shouldn't forget that. But even considering, I mean it's a sort of bad beginning, we're not doing too bad. So I personally have faith that even in this lousy situation we're faced with we can make it. You get me?"
    Three Stigmata, which deals with a terrifying Gnostic-style demiurgic invasion of earth by means of the eerily permeating hallucinogen "Chew-Z," so fascinated Beatle John Lennon that he considered making a film of it.

    In the early 1950s, with the helpful mentorship of SF editor and Berkeley resident Anthony Boucher, Dick began to publish stories in the SF pulps of the era at an astonishing rate - seven of his stories appeared in June 1953 alone. He soon gave up his employment in the Hollis shops to pursue the economically insecure career of an SF writer.

    In 1954, Dick later recalled with humor, he met one of his SF idols, A. E. Van Vogt, at an SF convention, where Van Vogt proceeded to convince the neophyte writer that there was more money to be made in novels than in stories. Henceforward, Dick's rate of production of SF novels was as remarkable as his story output had been. At his creative peak, he published sixteen SF novels between 1959 and 1964. During this same period, he also wrote mainstream novels that went unpublished, much to his anguish. To this day, it is his SF work for which Dick is best remembered, and justly so.

    After a very brief failed first marriage in 1948, remarried four times - to Kleo Apostolides in 1950, to Anne Williams Rubenstein in 1959, to Nancy Hackett in 1966, and to Tessa Busby in 1973. There was one child born in each of the latter three marriages -respectively, his daughters Laura and Isa and son Christopher. During his lifetime, Dick was regarded with respect by SF fans and fellow writers, though his sales never came close to matching those of the most popular SF writers of his era such as Isaac Asimov, Robert Heinlein and Frank Herbert.

    Dick received the Hugo Award in 1963 for The Man in the High Castle, which tells of a post-World War II world in which Japan and Germany are the victors and the continental United States is roughly divided between them. In devising the plot, Dick employed the I Ching on several occasions and also integrated that divinatory text into the narrative itself - marking its debut in American fiction.
    A Life-Changing Experience
    In February and March 1974, Dick experienced a series of visions and auditions including an information-rich "pink light" beam that transmitted directly into his consciousness. A year after the events, in March 1975, Dick summarized the 2-3-74 experiences that would pervade his writing for the final eight years of his life:
    "I speak of The Restorer of What Was Lost The Mender of What Was Broken."

    "March 16, 1974: It appeared - in vivid fire, with shining colors and balanced patterns - and released me from every thrall, inner and outer.

    "March 18, 1974: It, from inside me, looked out and saw the world did not compute, that I - and it - had been lied to. It denied the reality, and power, and authenticity of the world, saying, 'This cannot exist; it cannot exist.'

    "March 20, 1974: It seized me entirely, lifting me from the limitations of the space-time matrix; it mastered me as, at the same time, I knew that the world around me was cardboard, a fake. Through its power of perception I saw what really existed, and through its power of no-thought decision, I acted to free myself. It took on in battle, as a champion of all human spirits in thrall, every evil, every Iron Imprisoning thing."

    There are those who are eager to create a "Saint Phil" who emerged from this experience. In that regard, it is wise to remember that Dick himself always bore in mind what he called the "minimum hypothesis" -that is, the possibility that all that he had undergone was merely self-delusion.

    On the other hand, there are those who regard Dick as a charlatan who foisted upon his readers a pseudo-mystical revelation fueled by mental disorder. But surely a charlatan is one who insists on the seriousness and accuracy of his claims. This Dick never did. One has only to go and read VALIS (1981) to find a piercingly knowing humor in Dick's portrayal of himself as Horselover Fat:
    "…Fat must have come up with more theories than there are stars in the universe. Every day he developed a new one, more cunning, more exciting and more fucked."
    Those who insist on the "truth" or "falsehood" of Dick's experience of 2-3-74 are missing the central point: that those experiences provided him with the means to explore, with integrity, insight, and humility, the difficulties of making sense of any spiritual path in a relentlessly secular and cynical Western culture in which even apparent revelations can be instantly repackaged as popular entertainment.
    On the Edge of Eternity
    Dick died on March 2, 1982, the result of a combination of recurrent strokes accompanied by heart failure. In a 1981 entry in his Exegesis (an extensive journal he kept to explore the ramifications of 2-3-74) Dick wrote as focused a self-assessment of his aims and talents as a writer as can be found in any of his journals, letters, essays, and interviews:
    "I am a fictionalizing philosopher, not a novelist; my novel & story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, &, for them, my corpus is one long ratiocination regarding this inexplicable reality, an integration & presentation, analysis & response & personal history."
    One can readily imagine this passage having been written by Franz Kafka in his diary. And it is among the great fictionalizing philosophers of the twentieth century - Kafka, Jorge Luis Borges, Samuel Beckett, Rene Daumal, Flann O'Brien - that Dick's place in literary history lies. His uniqueness in this lineage is all the greater for his ability to have created great works in the broadly popular SF form. Dick remains compulsively, convulsingly readable. He is the master of the psychological pratfall, the metaphysical freefall, the political conspiracy within a conspiracy within a conspiracy. He is - as much as any contemporary writer we have - an astute guide to the shifting realities of the twenty-first century.

  • BUSY: -ESSAY-

    My dear readers,

    I will be out of my blog until next week. The reason for this is I am working on improving my essay which I will send somewhere. It is an essay whose main idea I had got from a second year class which I took with one of my two favorite teachers :)) I looked at my rough draft and started laughing...No wonder I have a blog where I feel myself powerful and write down my views on subjects around the world...Guliz,you are too opinionated and a rebel with no cure! So,what I decided to do is take out a few of my harsh value judgements on the very cruel world which I sound it out to be and add in some quotes from theorists etc. It was becuase it was a second year essay that I did this and now feel myself more mature as a potential MA student to have the skills to say what I have to say in an academic essay in a different manner...an academic manner... Here is my introduction and what I will seriously be working on as it is something I must finish...

    --------------------------------------------

    The Modern and the Postmodern: A Dilemma of'Real' and 'Fake'

    BY GULIZ SAHDUR

    (INTRODUCTION FIRST EDIT)

    In this paper I will analyse and discuss the 1968

    novel by Philip K. Dick called 'Do Androids Dream of

    Electric Sheep?' in comparison and contrast to the

    1982 film adaptation directed by Ridley Scott,'Blade

    Runner'. In relation to the story told by the novel

    and film,I will discuss various theories and ideas

    which when incorporated to the

    themes,symbolism,language and images illustrate the

    social,political,artistic and literary message of the

    novel and film. The main theories I will focus will

    include modernism and postmodernism,marxism and post

    (neo)-marxism,existentialism,feminism and the

    Baudrillard theory of Simulacra(simulation). In

    conclusion,as a significant work of science-fiction,it

    will attempt to detail an interpretation,both literary

    and visual to which places it in a perspective and

    explains our modern and contemporary dilemma of

    the 'real' and the 'fake' in literature,culture,media

    and the many difficulties we face as modern and

    postmodern people.

  • Appalachia and Columbia:People Behind the Coal (GNN)

    No,I will not discuss Iran and be a part of the world agenda. The only ones who should be discussing Iran right now are Iranians. The worldwide media influence comes as a 'fake' agenda to me. All this time what were you discussing mainstream,especally American media? You were discussing Irans weapons and and applauding Israel's finger pointing at Iran. They may have internal problems that need attention. However,I see many that will use and abuse the Iranians stuggle for democracy and freedom. As always I support and will always support such struggles. I am aware of western ideology which awaits like a hound dog to use it for their own interests. Why could Bush fight a war in Iraq? because he used the fact that there was a lack of democracy in Iraq and the Iraqi people were already angered by the regime of Saddam Hussein. We are lucky though because Bush would have already been on his way to Iran by now! I thank President Obama's so far 'assesment' policy and await his future statements on the issue.

    Now I want to share and article/interview from Guerrilla News Network(the one and only notorious) news source of controversy. It promotes or discusses a new book by a history/latin american studies professor Aviva Chomsky her recent work and projects. I found the topics interesting and something I would work on improving my knowledge of,especailly Latin America I am not much in the mood for feminism and I am ver busy outside...I will be back soon...

    -------------------------------------------------

    An interview with Aviva Chomsky, a professor of history and Latin American Studies, who just retured from a 'Witness For Peace' delegation to two regions devastated by coal mining.
    Aviva Chomsky is professor of history and Latin American Studies at Salem State College in Massachusetts. The most recent books she has written are Linked Labor Histories: New England, Colombia, and the Making of a Global Working Class. (Duke University Press, 2008) and They Take Our Jobs! And Twenty Other Myths about Immigration. (Beacon Press, 2007). She has also recently co-edited The People Behind Colombian Coal: Mining, Multinationals and Human Rights/Bajo el manto del carbón: Pueblos y multinacionales en las minas del Cerrejón, Colombia (Casa Editorial Pisando Callos, 2007) and The Cuba Reader: History, Culture, Politics (Duke University Press, 2003).

    Chomsky is also a founder of the North Shore Colombia Solidarity Committee, which has been working since 2002 with Colombian labor and popular movements, especially those affected by the foreign-owned mining sector. She just returned from the Witness for Peace delegation (May 28 – June 6) that traveled to two regions devastated by coal mining: the state of Kentucky and to northern Colombia. The Kentucky segment was sponsored by Kentuckians For The Commonwealth (KFTC), where participants witnessed the impact of Mountain Top Removal mining and Valley Fills on local communities. In Colombia the delegation met with human rights activists, trade unionists, members of Afro-Colombian and indigenous communities, and others affected by coal production in Colombia.

    Hans Bennett: Having just returned from the Witness for Peace delegation’s trip to Kentucky and Colombia, can you please tell us about your visit to Kentucky, and about the group ‘Kentuckians For The Commonwealth’ (KFTC)?

    Aviva Chomsky: KFTC is a community organization working on social justice issues, one of them being local resistance to mountaintop removal coal mining that is destroying lands and communities in Appalachia. I’ve been working with them since last summer, when 4 people from that organization came with us on our delegation to the Colombian coal region. The connections they made between the two regions were amazing. In both, big companies run roughshod over some of the poorest and most marginalized people. People are losing their land, their water, their right to clean air, and their homes to the coal mines. The Kentuckians felt a real link with the Colombian communities, that they were part of the same struggle. Last fall, we worked with KFTC to organize a tour for two Colombian coal union leaders. They spent a week in Kentucky, seeing for themselves the results of mountaintop removal, and speaking to different audiences there.

    The Colombians were also incredibly moved by the destruction of land and lives in Kentucky. They couldn’t believe that this was happening in the First World. We decided we’d really like to organize a delegation that would visit both regions—and that’s what we did this summer. We spent 3 days in the Kentucky coal region, and then went to Colombia. We also had 5 people from Appalachia, all involved in different aspects of the movement against mountaintop removal, with us on the Colombian part of the delegation.

    HB: What did members of the group share with the delegation?

    AC: One thing that really struck me was the ways that people in both the Colombian and the Kentuckian coal regions talked about the land. I’m from the city, and have lived a pretty cosmopolitan life. For people in eastern Kentucky, like those in northern Colombia, the land is tied to the essence of their identity. People have generations-long ties to the land, they farm the land, they feel personally connected to the mountains, to the rivers, to the farms. Also, in both regions, people are aware that they are seen as expendable, not only by the coal companies, but by the centers of power. Both regions suffer from a lack of state services, and have been really politically marginalized. But also in both regions, there is a really powerful sense of collective identity that I think has contributed to the strength of the social struggles there.

    In one interview a few years ago, a Colombian indigenous leader explained to us that for his people, the earth was “la madre tierra,” mother earth. “It hurts us to see the earth damaged,” he said, pointing to the gaping hole of the mine. People in eastern Kentucky talked the same way about their mountains.

    HB: What has been the impact of the coal mining industry, Mountain Top Removal mining and Valley Fills on the local communities?

    AC: The impact has been devastating. I’ve never been anywhere else in the United States where you can’t drink the water! But the tap water smells so sulfurous that I was even wondering if it was safe to shower in. People in the region complain of the same kinds of illnesses and reactions that we’ve seen in Colombia—respiratory ailments, rashes and skin diseases, eye diseases—reactions to coal particles in the air and in the water. Rivers that used to run crystal clear have turned into toxic sludge. People’s homes are being surrounded by the various impacts. A mountainous region is being flattened. A way of life and a people are being forced into extinction.
    After visiting Kentucky, the Colombian union leaders told us they were shocked by how “irrational” the mining was there. I didn’t really understand what they meant until I saw it myself. In Colombia, there are huge 7-foot seams of coal. The mines there are giant operations that have opened up many-mile long areas. In Kentucky, whole mountains are being felled for little seams that are only a few inches wide! And believe it or not, there seem to be more serious reclamation efforts going on in Colombia than in Kentucky.

    HB: After visiting Kentucky, the delegation flew to Colombia, which your flyer explains is “the largest recipient of U.S. military aid in the hemisphere, and also the country with the highest levels of official and paramilitary violence, including forced displacement, killings of journalists, trade unionists, and human rights activists.” The flyer asserts that “foreign corporations are some of the major beneficiaries of this situation.” How do the corporations benefit from this? How does US financial and diplomatic support for the Colombian government influence the situation?

    AC: Colombia is the poster child for neoliberalism in Latin America. Since the 1970s the United States—and the international financial institutions that it plays a leading role in, like the World Bank and the International Monetary Fund—have been pushing a development model on Latin America that calls, essentially, for governments to act in the interests of multinational capital. Governments are supposed to invite in foreign investment, and provide it with low taxes, low wages, and low regulation. They are supposed to cut back on social spending, and offer state enterprises up to the private sector. And, they’re supposed to quash any popular protest against these policies, using force if necessary. These policies have gone by names such as structural adjustment, the Washington Consensus, the Chicago Boys prescriptions (referring to the role of Milton Friedman and other economists from the University of Chicago), or neoliberalism. The United States has played a key role in the implementation of these policies—from working for the overthrow of elected socialist president Salvador Allende in Chile in 1973, and their implementation there, to Plan Colombia today, by which the United States provides military and economic aid that goes directly to implementing this economic model and crushing protest.

    Union leaders have been some of the most visible victims. In the U.S.-owned Drummond mine in northern Colombia, three union leaders were assassinated in 2001. The company is currently facing a lawsuit in the United States for allegedly paying a paramilitary force to carry out the murders. Another U.S. company, Chiquita Brands, admitted to making payments for years to the paramilitaries. They claimed that they made the payments to protect their workers, but banana workers—and especially union activists—were the main victims among the hundreds murdered by paramilitaries during the 1990s and early 2000s.

    HB: Before we talk about the delegation’s visit to Colombia this month, I’d like to first refer back to our 2007 interview in Z Magazine titled Colombia Solidarity Work, and ask you to please give an update about what has been going on since then, during this two year period since then.

    AC: When we visited the Cerrejón mine in the summer and late fall of 2006, the company had taken the stance that it would not recognize or negotiate with the displaced Afro-Colombian community of Tabaco. It also insisted that community issues and union issues be kept completely separate. The union had included a demand about the rights of the communities in its 2006 bargaining proposal, and the company absolutely refused to include this in the contract—although they did agree to a side letter inviting the union to participate in the company’s social programs.

    In the summer of 2007, Cerrejón announced that it was forming a Social Review Panel to evaluate its relations with the communities and provide recommendations. The Panel concluded that the displacement of Tabaco was a festering wound, and that the company simply had to rectify this if it wanted to develop any kind of working relationship with the local communities. The company agreed, finally, to engage in collective negotiations with former Tabaco residents, aimed at a resettlement of the community. This was a struggle that had been going on for ten years! In December of 2008, the company signed an agreement with the community defining the terms of the relocation and for compensation for the people who had been displaced. This was a huge victory.
    Still, in some ways we were struck with how much has not changed. Although the agreement was signed with Tabaco, the relocation process has not yet begun—so people are still displaced. In the other communities we work with, the company has been engaging in collective negotiations for relocation—but they are still desperately poor, landless, and living in the shadows of the world’s largest open-pit coal mine.
    In the Cesar Department, where the U.S.-owned Drummond mine operates, things are even worse. Union leaders there live in daily fear for their safety and lives. We had hoped to return to one community that we visited last summer, Mechoacán—but it had been wiped off the map. We met with the communities of Boquerón, El Hatillo, and Plan Bonito, that are slowly being strangled by the mine. Drummond, unlike Cerrejón, still refuses to recognize any right to collective relocation for these communities, and is simply trying to starve people out in hopes that they will leave.

    HB: Okay, now let’s talk about your recent visit to Colombia. Who did you meet with and what did they talk about? What were the key issues addressed?

    AC: The main issues we’ve been working on, with our partners in Colombia, are labor rights and community rights, in the areas where the multinational coal mines operate. The coal region in Colombia is in the north, close to the Caribbean coast, in the Cesar and La Guajira Departments. The people who have lived there for decades, in some cases centuries, are mostly Afro-Colombian and indigenous peasants who have survived by farming, hunting, fishing, and day labor on ranches owned by large landholders in the area.
    Multinational mining came to La Guajira in the 1980s, to Cesar in the 1990s. These mines are almost unbelievably gigantic operations—Cerrejón claims to be the largest open-pit coal mine in the world, and Drummond is currently undergoing expansion that it says will make it overtake even Cerrejón’s size. Each one employs thousands of workers, some directly, and some through subcontractors.
    The main people we spent time with there were the unions at the two mines—including the Injured Workers Association at the Drummond mine—and the communities that have been displaced, or are in the process of displacement. Everyone we met with there seemed to share the belief that getting their stories out to the U.S. public was essential to protecting their lives and their livelihoods. Drummond is a U.S. company, and much of the coal produced by both mines is imported by U.S. power plants. People in Colombia are also acutely aware at the huge influence that the United States has on their country’s policies. Mostly, they want us to tell their stories here in the United States, so that people here will pressure Drummond, the companies that buy the coal, and the U.S. government, to make sure that workers and communities in the coal region have the same rights that we here enjoy—the right to personal safety, the right to clean water, to education, to safe working conditions, to form unions, to be able to provide for their children, to not live in fear of their government or of the companies that operate in their midst.

    HB: How does the union organizing in Colombia compare to the organizing in Kentucky, and the US in general?

    AC: We were shocked to learn that there are no unionized mines left in eastern Kentucky. Not even in Harlan County. Yet despite a high level of disillusionment with the United Mineworkers among many of the people we met with in Kentucky—because of its weak or non-existent critique of surface mining, and because of the capitulations it has made to industry that people believe are responsible for its demise in the region—people there have an incredibly high level of union consciousness. Nearly everybody we met talked to us about how their fathers, their uncles, their grandfathers, had fought and in some cases shed blood, to bring in the union.

    Unions in Colombia—especially those in the coal mines—are extremely militant, and have a strong current of leftist analysis and environmental consciousness that are pretty uncommon among unions in the U.S. today. The union leaders we met with talk about foreign mining companies raping the land and the people, looting their country’s natural resources, lining the pockets of shareholders with coal produced with the blood and the land of Colombians.

    In both the U.S. and Colombia, union density has been falling. In Colombia, the main cause has been violence against unions; in the U.S., deindustrialization has played a big role. The AFL-CIO has a checkered history in Colombia, as it does in the rest of Latin America. Historically, the federation has been closely linked to U.S. foreign policy goals through the American Institute for Free Labor Development or AIFLD. I think the AFL-CIO is trying to overcome this past, and the suspicion it has generated in Latin America. Yet it is also struggling with internal conflicts, and now the accelerating economic crisis, and I think it has not made as much progress as it could in the area of trying to develop real international solidarity.

    HB: How does the coal mining trade fit into the current global energy crisis and fossil fuels’ effects on the environment, including global warming?

    AC: We had an interesting conversation about this during one of our meetings in Colombia. One of our delegates works with the Move America Beyond Coal campaign, and she asked Jairo Quiroz, the president of the Sintracarbón union that represents workers in the Cerrejón coal mine, more or less the same question: don’t we just have to stop mining and burning coal altogether, given its environmental impact? Jairo’s response really challenged all of us, I think. “There is no clean source of energy,” he said. “You in the United States are the ones who use most of the world’s energy resources. What do you propose to use, if we stop mining coal? Petroleum and natural gas are no better for the environment than coal is, and both contribute to global climate change. Nuclear energy also requires mining, and creates waste products even more dangerous than coal’s. Solar energy and wind energy are only viable where those resources are sufficiently available, and they also require production, transmission and storage techniques and equipment that depend on mining (for turbines, batteries, solar panels, etc.) and the use of toxins. So-called biofuels are the worst of all, because they expand the agro-industrial model which has profound environmental effects—from deforestation to desertification to overuse of pesticides and fertilizers—and it also disrupts the whole food chain by channeling agricultural land to the production of fuel instead of food.” Basically, his point was that rather than pointing the finger at coal, we needed to think about the underlying causes of environmental destruction—like our overuse of energy. “As long as you want to keep using that much energy,” he said, “we’re going to keep mining coal.”

    There’s always a challenge, in a campaign for social and political change, to choose a target that’s narrow enough that you can effectively organize around it, but making sure that you don’t get distracted from the larger goals by the narrow target. In Salem, we have a coal-fired power plant. Some people argue, from an environmental perspective, that we should shut down the plant. But what are the larger implications of that argument? Unless we are planning to stop using electricity altogether, it just means that we’ll be getting it from another plant somewhere else. It can turn into a kind of NIMBY-ism [i.e., “not in my back yard”]—we don’t want to have to see the impact of our standard of living, we want to displace it onto somebody else. That’s how our system works—and that’s how we’re encouraged to think. We need to think more profoundly about the causes of global warming and environmental destruction if we really want to address them.

    This may seem only peripherally related, but one of the communities we visited, in the Cesar Department, was located right next to the trash dump for the city of La Loma. Trash is blowing around, and it smells awful. Also, many of the communities we work with have no running water—thus no real latrines. These issues made me think about the multiplications of our privileges in the First World. We don’t have to see where our energy comes from, and we don’t have to see where our waste goes—we just live in this bubble of plenty and our waste is invisibly whisked away—all of which encourage us to continue abusing and wasting the earth’s resources!

    HB: How has the recent election of several leftist and ‘left of center’ Presidents throughout Latin America (most recently in El Salvador) changed US power and influence? How do you think the US is reacting to this? What role with Colombia play in US strategy given that it is one of the last remaining right-wing governments?

    AC: The United States is clearly counting on Colombia to play a major role in maintaining and promoting what they call “U.S. interests”—which generally means the interests of U.S. corporations—in Latin America. Ecuador’s new government recently announced that it is not renewing the U.S. lease on its military base in Manta, Ecuador. So among other things, it looks like Colombia will be the site of the new base that will replace Manta.

    There are really two things that a leftist government in Latin American needs to accomplish—neither one of them simple. One is to redistribute their countries’ resources internally, to address the region’s devastating social and economic inequalities. The other is to reformulate Latin America’s relationship with the rest of the world, to break out of the pattern established after 1492, in which Latin America provides cheap labor, and cheap resources, for the benefit of Europe and later the United States. These are monumental problems, and the United States government has shown itself pretty committed to keeping the status quo, even if doing so requires violence, murder, invasions, or coups.

    Many of the people I spoke with on this trip seemed to feel a lot of hope that we’re entering a new era, in which the United States will choose—or be forced—to accept major structural changes in Latin America. Despite Obama’s diplomatic language, he’s already shown that he’s quite ready to use military methods to further what the U.S. defines as its interests in Afghanistan and Pakistan. But other factors—the swing to the left in Latin America, the work towards alternative regional economic integration, the economic crisis, and the growing global awareness of the environmental crisis and the planet’s limited resources—could contribute to some real changes.

    HB: How can readers best help support the current work of the North Shore Colombia Solidarity Committee, Witness for Peace, and those in Colombia who you recently visited?

    AC: We’re hoping to bring one or two community leaders from the Colombian coal region to the U.S. on speaking tours this fall. We are also planning another delegation for next summer. And, we do occasional “urgent action” requests in support of the work our Colombian partners are doing. You can join the Witness for Peace or NSCSC e-lists to get updated information about all of these activities, or write to us directly at nscolombia@comcast.net if you want to get more involved in the planning.

    (This interview was first published at UpsideDownWorld.org on June 15, 2009. Hans Bennett is an independent multimedia journalist, whose website is www.insubordination.blogspot.com)

  • Feminism:Quiet Rumours by Lynne Farrow,Rebel Press(2)

    NOTE:I have recently been watching CNN's on going coverage of the Iranian conflict after the elections...Mr Turner and his network have made it a 24 hour thing!I wonder why? My thoughts on the issue...PRESIDENT OBAMA,NO! PRESIDENT OBAMA,NO!:(
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    My readers we are doing Feminism. It is as hot as a dragon blowing all over your body when you least sexpect so,firstly we must read and analyse what is going on in anarcha-feminism then I will write my views,comments and suggestions on the movement in realtion to other feminist movements of the time...

    --------------------------------

    ANARCHO-FEMINIST MANIFESTO:

    Anarcho-Feminism
    Two Statements

    Who we are: An Anarcho-Feminist Manifesto

    We consider Anarcho-Feminism to be the ultimate and necessary radical stance at this time in world history, far more radical than any form of Marxism.

    We believe that a Woman's Revolutionary Movement must not mimic, but destroy, all vestiges of the male-dominated power structure, the State itself - with its whole ancient and dismal apparatus of jails, armies, and armed robbery (taxation); with all its murder; with all of its grotesque and repressive legislation and military attempts, internal and external, to interfere with people's private lives and freely-chosen co-operative ventures.

    The world obviously cannot survive many more decades of rule by gangs of armed males calling themselves governments. The situation is insane, ridiculous and even suicidal. Whatever its varying forms of justifications, the armed State is what is threatening all of our lives at present. The State, by its inherent nature, is really incapable of reform. True socialism, peace and plenty for all, can be achieved only by people themselves, not by representatives ready and able to turn guns on all who do not comply, with State directives. As to how we proceed against the pathological State structure, perhaps the best word is to outgrow rather than overthrow. This process entails, among other things, a tremendous thrust of education and communication among all peoples. The intelligence of womankind has at last been brought to bear on such oppressive male inventions as the church and the legal family; it must now be brought to re-evaluate the ultimate stronghold of male domination, the State.

    While we recognise important differences in the rival systems, our analysis of the evils of the State must extend to both its communist and capitalist versions.

    We intend to put to the test the concept of freedom of expression, which we trust will be incorporated in the ideology of the coming Socialist Sisterhood which is destined to play a determining role in the future of the race, if there really is to be a future.

    We are all socialists. We refuse to give up this pre-Marxist term which has been used as a synonym by many anarchist thinkers. Another synonym for anarchism is libertarian socialism, as opposed to Statist and authoritarian varieties. Anarchism (from the Greek anarchos - without ruler) is the affirmation of human freedom and dignity expressed in a negative, cautionary term signifying that no person should rule or dominate another person by force or threat of force. Anarchism indicates what people should not do to one another. Socialism, on the other hand, means all the groovy things people can do and build together, once they are able to combine efforts and resources on the basis of common interest, rationality and creativity.

    We love our Marxist sisters and all our sisters everywhere, and have no interest in disassociating ourselves from their constructive struggles. However, we reserve the right to criticise their politics when we feel that they are obsolete or irrelevant or inimical to the welfare of womankind.

    As Anarcho-Feminists, we aspire to have the courage to question and challenge absolutely everything - including, when it proves necessary, our own assumptions.

    Blood Of The Flower: An Anarchist-Feminist Statement

    We are an independent collective of women who feel that anarchism is the logically consistent expression of feminism.

    We believe that each woman is the only legitimate articulator of her own oppression. Any woman, regardless of previous political involvement knows only too intimately her own oppression, and hence, can and must define what form her liberation will take.

    Why are many women sick and tired of 'movements'? Our answer is that the fault lies with the nature of movements, not with the individual women. Political movements, as we have known them, have separated our political activities from our personal dreams of liberation, until either we are made to abandon our dreams as impossible or we are forced to drop out of the movement because we hold steadfastly to our dreams. As true anarchists and as true feminists, we say dare to dream the impossible, and never settle for less than total translation of the impossible into reality.

    There have been two principle forms of action in the women's liberation movement. One has been the small, local, volitionally organised consciousness-raising group, which at best has been a very meaningful mode of dealing with oppression from a personal level and, at worst, never evolved beyond the level of a therapy group.

    The other principle mode of participation has been large, bureaucratised groups which have focused their activities along specific policy lines, taking great pains to translate women's oppression into concrete, single-issue programmes. Women in this type of group often have been involved in formal leftist politics for some time, but could not stomach the sexism within other leftist groups. However, after reacting against the above-mentioned attitude of leftist males, many women with formal political orientations could not accept the validity of what they felt were the 'therapy groups' of their suburban sisters; yet they themselves still remained within the realm of male-originated Marxist-Leninist, Trotskyist, Maoist rhetoric, and continued to use forms of political organisation employed by the male leftist groups they were reacting against. The elitism and centralisation of the old male left thereby has found, and already poisoned parts of the women's movement with the attitude that political sophistication must mean 'building' a movement around single issue programmes, thereby implying that 'we must be patient until the masses' consciousness is raised to our level.' How condescending to assume that an oppressed person must be told that she is oppressed! How condescending to assume that her consciousness will grow only by plodding along, from single-issue to next single issue.

    In the past decade or more, women of the left were consistently intimidated out of fighting for our own liberation, avoiding the obvious fact that all women are an oppressed group. We are so numerous and dispersed that we have identified ourselves erroneously as members of particular classes on the basis of the class of 'our men', our fathers or our husbands. So women of the left regarding ourselves as middle-class more than oppressed women, have been led to neglect engaging in our own struggle as our primary struggle. Instead, we have dedicated ourselves to fight on behalf of other oppressed peoples, thus alienating ourselves from our own plight. Many say that this attitude no longer exists in the women's movement, that it originated only from the guilt trip of the white middle class male, but even today women in autonomous women's movements speak of the need to organise working class women, without concentrating on the need to organise ourselves - as if we were already beyond that level. This does not mean (if we insist first and foremost on freeing ourselves) that we love our oppressed sisters any the less; on the contrary, we feel that the best way for us to be true to all liberation struggles is to accept and deal directly with our own oppression.

    Why Anarchism?

    We do not believe that rejection of Marxist-Leninist analysis and strategy is by definition political naivet้. We do not believe it is politically naive to maintain the attitude that even a 'democratically centralised' group could be considered the 'vanguard' spokeswoman for us. The nature of groups concerned with 'building' movements is: 1) to water down the 'more extreme' dreams into 'realistic' demands, and 2) to eventually become an organ of tyranny itself. No thanks!

    There is another entire radical tradition which has run counter to Marxist-Leninist theory and practice through all of modern radical history - from Bakunin to Kropotkin to Sophie Perovskaya to Emma Goldman to Errico Malatesta to Murray Bookchin - and that is Anarchism. It is a tradition less familiar to most radicals because it has consistently been distorted and misrepresented by the more highly organised State organisations and Marxist-Leninist organisations.

    Anarchism is not synonymous with irresponsibility and chaos. Indeed, it offers meaningful alternatives to the out-dated organisational and policy-making practices of the rest of the left. The basic anarchist form of organisation is a small group, volitionary organised and maintained, which must work toward defining the oppression of its members and what form their struggle for liberation must take.

    Organising women, in the New Left and Marxist left, is viewed as amassing troops for the Revolution But we affirm that each woman joining in struggle is the Revolution. WE ARE THE REVOLUTION!

    We must learn to act on impulse, to abandon the restrictions on behaviour that society has taught us to place on ourselves. The 'movement' has been, for most of us, a thing removed from ourselves. We must no longer think of ourselves as members of a movement, but as individual revolutionaries, co-operating. Two, three, five or ten such individual revolutionaries who know and trust each other intimately can carry out revolutionary acts and make our own policy. As members of a leaderless affinity group, each member participates on an equal level of power, thus negating the hierarchical function of power. DOWN WITH ALL BOSSES! Then we will not be lost in a movement where leadership determines for us the path the movement will take - we are our own movement, we determine our own movement's direction. We have refused to allow ourselves to be directed, spoken for, and eventually cooled off.

    We do not believe, as some now affirm, that the splintering of the Women's Movement means the end to all of our revolutionary effectiveness. No! The spirit of the women is just too large to be guided and manipulated by 'a movement'. Small groups, acting on their own and deciding upon their own actions, are the logical expression of revolutionary women. This, of course, does not preclude various groups working together on various projects or conferences.

    To these ends, and because we do not wish to he out of touch with other women, we have organised as an autonomous collective within the Women's Centre in Cambridge, Mass. The Women's Centre functions as a federation; that is, not as a policy-making group, but as a centre for various women's groups to meet. We will also continue to write statements like this one as we feel moved to. We would really like to hear from all and sundry!

    ALL POWER TO THE IMAGINATION!
    Red Rosia and Black Maria
    Black Rose Anarcho-Feminists

    A Note On The Text

    The Anarcho-Feminist Manifesto was written by Chicago Anarcho-Feminists. Blood of the Flower was written by Red Rosia and Black Maria of Black Rose Anarcho-Feminists, who in 1971 could be reached c/o The Women's Centre, 46 Pleasant Street, Cambridge Mass.

    Both articles first appeared in Siren - A Journal of Anarcho-Feminism Vol 1 No 1 1971 (now defunct), published in Chicago.

    They were next published together as a pamphlet by the Seattle section of the Social Revolutionary Anarchist Federation and the Revolutionary Anarchist Print Fund, c/o 4736 University Way NE, Seattle, Wn 98105.

  • Music Break:Turkish Rap and Rock

    Will continue with more controversial issues and my views on world affairs,as well as,the continuation of the anarcha-feminist book called 'Quiet Rumours'...

    SAGOPA KAJMER FEAT. KOLERA-SOĞUK KUVET

    http://www.youtube.com/watch?v=KFtmege0MDE

    AYLIN ASLIM-SEN MI?

    http://www.dailymotion.com/video/x9ldxk_aylin-aslim-sen-mi-2009-by-aluxton_music?hmz=707265766e657874

    CEZA-AYBEN-KILLA HAKAN-KORK BIZDEN

    http://www.dailymotion.com/video/x6n27s_ayben-ceza-killa-hakan-kork-bizden_music

    SEBNEM FERAH-KORKARAK YAŞIYORSAN

    http://www.youtube.com/watch?v=exxQPnTU66s&feature=related

  • Feminism Break:Quiet RumoursBy Lynne Farrow,Dark Star,Rebel Press

    I remember having a conversation on this blog awhile back about feminism. Since then,I have been trying to find the right feminism article or book to share with my readers. The reason for this I assume is that,I do not agree with all feminists and certainly do not feel very close to all who share the same gender as I do. It is because other factors which we study as racial,sexual,class differences,social status,educational status etc. all play a role in the kind of feminist you are allowed to become. Some may say well this is seperatism and will not really be helpful to the cause of pushing for equality or better rights for women. While,to some extent,this may be true,I also feel a need to push for rights and equality for men,nations,races,religions. It is part of a system of thought and feminism is only one part of the issue.

    I recently found a book with the text on the net. I would like to share this with my readers and think about the issues it discusses. I will provide my views on the book and comment with other feminist texts I have read in the past and continue to read...

    -----------------------------------------

    QUIET RUMOURS

    Introduction

    The feminist movement that began in the late '60s developed its own organisational form and practice, at the heart of which lay the small group - for example for consciousness-raising - often composed of close friends. From a base of thousands of such groups grew the larger, international movement.

    In its early years the feminist movement was notable for its absence of leaders (and led), its decentralism, its federalism - best witnessed in the thousands of magazines, newspapers and pamphlets that wove the movement together - its complete lack of dogma and its denial of any one ideology or line. Lastly, springing from all this, its overall emphasis upon a non-hierarchical movement. It must be pointed out that all these forms of organisation appeared spontaneously without any external direction or preconceived programme.

    By the mid '70s most of these principles were in real danger of being forgotten as the movement became dominated by political ideologies, ideologies that some women regarded as essentially male, for example marxism and its many brands. Also the movement began to be directed towards mass and reformist campaigns which were often inherently hierarchical and centrist and of course intended to appeal to the ultimate expression of the patriarchy - the state.

    For those feminists already aware of anarchist ideas the dangers of these developments were immediately clear and all too familiar. The anarcha-feminist critique gained popularity and was widely studied. The first English anarcha-feminist groups appeared in 1977 and soon grew to a national network with its own bulletins and newspaper, with two national and several regional conferences. Throughout this period the Black Bear group was busily publishing pamphlets on anarcha-feminism, all of which were extremely popular, going through several reprints and selling in their thousands.

    But by 1980 the anarcha-ferninist movement had to all intents and purposes ceased to function. It seems, looking back, rather shortlived. For one thing it faced opposition not only from marxist and reformist feminists but also from the traditional, and male-dominated, anarchist movement, which regarded anarcha-feminists as some kind of threat to its position. Partly because of all this, anarcha-feminists moved away into other areas of activity, particularly the growing anti-nuclear movement.

    However, a great demand still exists for the pamphlets first published by Black Bear and so they are now collected together for the first time in Quiet Rumours. Hopefully their reappearance will once again stimulate readers to consider and recognise the value of their arguments.

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